Thursday, November 17, 2005

The Songs of Zion

Lead Kindly Light
Sharon Hopkins


When I first got this CD, I was deceived!

Now that I have your attention, let me explain. The cover of the CD has the face of a pretty blonde girl, in pastel tones, with that misted-over sort of look to the photograph. The back has the same girl, in a white dress, with her hand clasped over her heart. The songs listed on the back were the titles of familiar hymns, and the text description contained words like, “uplift and inspire”, “ethereal tapestry”, “spiritual hymn arrangements”, and I found myself rolling my eyes.

I mean, how many covers like that have you seen in Deseret Book already? How many CD’s have you heard of “Spiritual Hymn Arrangements”? Do we really need yet another one?

Well, it turns out the answer to that last question is, “Yes, we do. And the one we need is this one.”

As I spun the CD and listened to the songs, I was amazed to be taken to places I’d never imagined in the context of hymns before. There were songs on this CD that were unique, surprising, and even a bit shocking. Not in content, mind you, but in sound and creation. Chord progressions that went off on turns that I’d never imagined, sudden changes in instrumentation, juxtapositions of elements and textures that made me relearn the messages of the hymns. This is fresh, new stuff.

The overall sound left me with the impression of a sort of Enya-esque ethereality mixed with the sound of an old Disney soundtrack. Lots of high, lilting soprano, with cathedral-like choirs. String and wind orchestral instruments blended with pianos and organs for the instrumental accompaniments.

“If You Could Hie to Kolob” was one of the more innovative tracks. Constant shifts and changes in the textures of the arrangement and the layers of vocals made this track a fascinating one to follow. In “Onward Christian Soldiers” she inserted a segment of a male voice singing verses derived from Joseph Smith’s tribulations in D&C 120 & 121. That juxtaposition next to the non-traditional rendering of the march feel of the chorus was very powerful. And the way she shifted the piano and melody of the latter verses of “A Poor Wayfaring Man of Grief” into a Chopin-esqe dirge was incredible, resolving up into the major key change when the free spirit cries!

And I have never before heard, nor probably ever will again hear “Carry On” done this way! No spoilers, you'll just have to hear it yourself.

Another thing that amazed me was that she did all her arrangements, even conducted the orchestra. This is not where a singer or a record label hires a producer to make all kinds of sweetness for the voice to rest on. She’s the creative heart and mind behind it all.

I have to admit, though, that in spite of the surprises and the innovation, the light, ethereal, airy, “Mormon girl” voices got a little old. That’s just me, though. The vocals were incredibly executed, and her high countermelodies were beautiful. I just like the voices to have a little more body some times. There were a few songs, like “Beautiful Savior”, and “Lead Kindly Light”, which didn’t have so much originality in the arrangement to distract me from the oh-so-traditional LDS "light spiritual" voice.

So, I’ll give it 4 stars, and I’ll actually listen to it on Sundays, because there is more musical substance to it that most of the “Sounds of the Sabbath” stuff I hear.


MRKH
Mark Hansen
http://markhansenmusic.com

Thursday, November 10, 2005

Songs of Zion

Pre-Algebra
Arhythmatik


Those of you who’ve been following me for a while know that I’ve been a bit driven to find good LDS rap. This is not so much because I’m a rapper myself, or even that big of a rap fan. It’s because I am very passionate about diversity in LDS popular culture, especially in music. I really want to find a wide variety of LDS artists, and I’d like to see the scene grow and expand.

I do, however, find myself really getting into the few good LDS rappers I’ve found. I think I dislike most rap for the same reason that I dislike the Beach Boys. The tunes aren’t about anything I can relate to.

But LDS rap, or at least raps by LDS artists, have the thread throughout the music that I can connect with, so I find myself listening even when I’m just spinning tunes for fun, or when I’m working out.

The most recent one I’ve found is a guy street-named Arhythmatik. A while back he sent me his EP, entitled “Pre-Algebra” (available at http://arhythmatik.com), and I’ve been spinning it ever since.

Unlike the previous rapper I reviewed, TJ Fredette, Arhythmatik doesn’t approach religion in his raps directly. There are a couple of brag and battle raps, and he deals with his own passions (like the lack of deep meaning in so much popular hip-hop). “Absolute Values” has a fun string quartet background looping with the beat, and is an exploration of personal creativity.

“Using wits as weapons
We drive devotion and direction
Determination and changed perceptions
Dedication and good old fashioned hustle
We learn to learn from these modern struggles
And survive in these asphalt jungles…”

The production is great. The process of creating rap is different than the process of making a rock tune, and it fascinates me. I’m not able to think in terms of loops and layers, rather than chord progressions. Some say it’s not as artistic, but I say it’s just a whole other paradigm of creation.

Anyways, check him out.


MRKH
Mark Hansen
http://markhansenmusic.com

Wednesday, November 02, 2005

Yu-Gi-Oh, Destiny, and Judgment Day


From Dictionary.com:

des•ti•ny

n. pl. des•ti•nies

1. The inevitable or necessary fate to which a particular person or thing is destined; one's lot.

2. A predetermined course of events considered as something beyond human power or control: “Marriage and hanging go by destiny” (Robert Burton).

3. The power or agency thought to predetermine events: Destiny brought them together.


I’ve been struggling a lot over the years with the argument over what determines who we are. What is it that determines our “Destinies”?

I’ve heard basically four arguments.

Nature “I’m born this way”

There are a lot of people that think that they do the things they do because they are genetically pre-determined to be. Alcoholism, homosexuality, even violent crime are all things that many have attempted to explain based on genetics. For good or ill, our DNA determines who we are, not just how we look.

Nurture, or the Environment “My parents/my neighborhood/my upbringing made me this way”

I think parents are great. Everyone should have a set! It sure makes it easy as I go through life to have people I can blame my shortcomings on! I mean, if my parents had been stricter/looser/meaner/nicer, I wouldn’t be in the mess I’m in right now, right? Others grew up on the mean streets of (insert your home town here), and so it’s obvious why they act the way they do.

Our experiences, our environment shapes us. There are some who have some legitimate claims to the harshness of life. Victims of abuse. Those that survive the horrors of war. The truly mentally ill.


Divine Will
“God made me as I am”

Good or bad, we are children of our creator. And He, being omniscient, knows what our life’s path will be. Some take this to mean that He has already made that path for us, and that we’re merely walking down it, facing what is pre-destined to happen to us. He, the great puppetmaster, is in total control of everything, and therefore is responsible for me. Convenient, since that means I don’t have to be…

Freewill “I choose what I am”

This is the idea that we determine our own course in life. The effects and consequences of our choices shape us and we can become anything we determine to be. This is the only choice of the four that puts me in control of my life, which is a double-edged sword, to be sure.


Part of the challenge that faces us as we try and study this all out is that the proponents of each of these four options often tend to look at them in isolation. Each one seems, in their minds, to be the sole cause of all the good and ill in the world.

I don’t see it that way. I think all four elements play into our lives. And since our lives are the basis of our judgment and eternal reward, ultimately all four will play into that as well.

My son is starting to love playing Yu-Gi-Oh. For those that have been living without children for the last few years, this is one of the many “collectible card games”, where you buy these packs of cards and you collect them and you use them to play your games. As you collect them, you can do a certain amount of “stacking your deck”, meaning that before each game, according to certain rules, each player can choose which of their cards go in their decks. Then they shuffle them, and play, not knowing which cards will come out first. Each card has a unique impact on the way the game progresses, and some cards interact with other cards to create some very interesting strategies. Winning the game is very much a combination of what cards you have and how well you play them.

As I’ve been learning how to play this game with Brendon, I’ve noticed that in a lot of ways, it’s resolving these issues that I’ve had with these four elements on a metaphoric level.

See, it’s like in the pre-mortal life, God gave us each a big deck of cards. And each one of those cards is a facet of our life. That I have certain traits and habits and knacks to do things (like music) is each represented by a card. The challenges I face with having a special needs child, or my inability to manage my money well are also cards in my hand and in my deck.

See, here in this life, we are NOT all created equal. We want to believe that we are, but just take a look around. Some are born into amazing wealth. Others are born into abject poverty. Some are raised in fine schools. Others grow up where school is a daily risk of life.

We are given a deck of cards, like it says in Ether 12:27. God gives us weaknesses for us to be humble. He also gives us gifts.

In the parable of the talents in Matt 25:14-30, each servant was given a different amount to begin with. One received one coin (talent), one received three, and another received five. We are not all equal.

And yet, I find it to be really interesting to note that while one servant returned with ten talents, and another with only six, they both received the same reward! They started out inequal, but they ended up in the same glory! Why is that? Well, it’s because the one judging them knew what they started with, and knew what they ended with. The One with full omniscience knows pure justice.

What that means for me is that I’m going to be judged based on how well I play MY hand of cards. How well did I overcome MY challenges. How well I handled my strengths. And Ether also tells me that I’ll have help doing that. God, who gave me those weaknesses, will help me overcome them.

That also means that I have no right to judge someone else. I have no right to look at someone’s actions and say that they’re going to rot in the flames of the eternal abyss, because I don’t know what cards are in their hand. I don’t know what they’re dealing with. I think in the final hour, we’ll be surprised to see some people in the celestial kingdom because WE thought they’d never make it. Well, that’s what the atonement’s for. You play your hand of cards the best you can, and have faith in the One that gave them to you, and that’s how you’ll be judged.

So, why am I all on about this? Well, over the last few years that I’ve been mulling this over, I finally finished the song that is based on this whole concept. It’s called “Play the Cards” and it’s now live at my website!


MRKH
Mark Hansen
http://markhansenmusic.com

LinkWithin

Related Posts with Thumbnails