Showing posts with label rap. Show all posts
Showing posts with label rap. Show all posts

Tuesday, November 04, 2008

The Songs Of Zion

Well, the election is over. I’ll let other bloggers sort out the chaos that will undoubtedly ensue. I will, however, say this: I was impressed both by McCain’s concession and Obama’s Victory speeches. After all, they both handled things with dignity. Wasn’t that what I was asking for?

So, tonight, I’m going to blog about something totally different.

The Songs of Zion

“The Showman Empire”
By TJ Fredette

The LDS hip hop hall of fame is a pretty small, it’s true. But if there were to be candidates and inductees, I’d recommend two: Arhythmatik and TJ Fredette. These are musicians whose songs I actually like. I mean there are a lot of LDS artists that I like and I support simply for their novelty. They’re unique and I like that. But these are two guys that I keep in rotation in my mp3 player. I can actually “sing” along with some of their tunes.

So, when TJ sent me his latest self-published CD, “The Showman Empire”, I was excited.

I was also a little nervous. I mean, when I really like something that I’m hearing, this little voice in my head wonders if the next thing they do will be as good.

Well, it is.

One thing I really love about listening to TJ is his messages. They’re hard-hitting, but clean. One of my favorites is “You Don’t Know What Could Happen”. This is an in-your-face story of what happens when wrong choices get out of control. “Say One Thing Mean Another” is an indictment of the excesses of mainstream hip hop culture that doesn’t pull any punches.

He can also get personal. “Young Shadows” is all about how little kids look up to older family members, and how we need to be careful about the examples we live. Repentance is the subject of “I Didn’t Mean It”.

I really like his tracks, as well. I don’t know who produces them, himself or someone else, but they always have more structure than typical eternal loops that I hear in a lot of pop and hip hop. The minor keys he uses tend to lend an air of austere seriousness to the songs, but honestly, that’s the one complaint I have about this CD. Most of the tracks come with that haunting, sad tone, and a similar pacing in the beats. I’d say to mix it up a bit more, but then, I’m not the expert on hip hop production, either.

Well, now I have some more killa beatz to add to my rotation on my commute!

Word…


MRKH
Mark Hansen
http://markhansenmusic.com

Monday, September 01, 2008

The Songs Of Zion

Can Mark Rap?

From time to time here here in Mo’ Boy I’ve reviewed various LDS rappers. I’ve even lamented that there seems to be a lot more going on in LDS rap these days than there is in LDS rock.

Be that as it may, there’s one of these guys that I’ve actually had a chance to meet face to face on a number of occasions. That’s Clayton, AKA Arhythmatik. Great rapper, great guy.

At the fest, someone asked about that name. When I said it was his stage name, they asked, “What’s his real name: Social Studies?” We all got a good chuckle over that one. Of course, you’d have to spell it funny to make it work. Hmmm…

“Soshul Studeez” …?

Anyway, about a year ago, as I might have mentioned in one of my many blogs before, he and I started collaborating on a rock/rap hybrid tune called “Shine the Light”. The original intent was for me to create the basic track, and sing the chorus, and he would rap the verses. But after he sent me the first verse, he suggested I rap the second verse. I was hesitant, but he encouraged.

I felt totally out of place, but I gave it a shot anyway, and in the long run, I’m pretty pleased with myself. Anyway, after a lot of technical back and forth, with him adding something and then me adding something else, I’ve finally finished the rock mix of the tune! I’m so stoked. It’s available at my site, on the music page for free download.

Arhythmatik is also still working on a more hip-hop mix, and I can’t wait to hear that. Collaboration is so much fun!

MRKH
Mark Hansen
http://markhansenmusic.com

Tuesday, August 19, 2008

Thoughts on the LDS Independent Music Fest 2008

Some background: In the middle of 1999, a lonely LDS guitarist and folksinger in Idaho was frustrated that he had no way to communicate with other church musicians. He started an email group called LDSmusicians. A few days later, I found it and joined. Soon after, there were others and we became quite a chatty and encouraging group. We shared our song, and helped each other get more points with their mp3 sites. We talked shop, and critiqued each other’s work. We talked about ways to get gigs and promote ourselves.

And that summer, in 2000, we set up a couple of traditions. One was producing an annual compilation CD, and another was the music festival. As many as could make the journey would gather together at the American Fork Amphitheater on a Saturday in late August. We would play music together all day long, and at the end, we staged a concert. We’ve been doing it every year ever since, with one exception.

It’s always been a lot of fun to see people year after year. You get to hear their new tunes, tell some stories and have a great time. It’s like a big family reunion.

So, last weekend, it happened again. This year, it was a three-day festival, with a youth night on Friday, an all day event on Saturday, and a Sunday evening devotional for the more sacred music. I attended Friday an Saturday, but wasn’t able to attend on Sunday.

Friday

Steve Brown, of the acoustic duo Border Crossing, was in charge this year, and was greatly assisted by Julie Keyser. I showed up around 5:00 and saw them both there, as well as a few others. The sound and lights guys were there, setting. I was glad, ‘cause I’d done that in years past, and I was very grateful that it was someone else’s problem this year!

All of us just hung out and talked for a long time. It was great fun. In the back of my mind, I can remember Gaylen Rust, of yourldsneighborhood.combeing there, but in retrospect, I’m not sure. The two days kinda blurred for me. He was definitely there on Saturday. He’d helped out a LOT with the fest, in terms of promotions and sponsorship. We talked a lot about what was going on in LDS music. He’s getting involved pretty heavily in promotions and marketing. Which is something our little group needs desperately to learn.

At about 8:00, Shawn Phillips started DJing. It was supposed to be a dance, but there was hardly anyone there, much less dancing. Still, it was really cool to listen to the way he’d blend the music and the samples. At about 9:00 we decided to start the live performance part of the show. I went on first, and did what I felt was one of my best sets in a long time. I was feeling really confident in the show.

Then Arhythmatik took the stage and he had everyone dancing and shouting along with him. What a performer! He’s solid! It was exciting to me to see the few people that were there respond so well to two performers (he and I) that are so far out of what is normally mainstream LDS music.

It was a lot of fun, and I left that night thinking how lucky I was to be involved in such a great group.

Saturday

The next morning I was slow getting started. I had my two boys with me, and it wasn’t easy getting them ready to go. Still, we managed, and when we arrived there were already a number of other musicians there. I was surprised to see Greg Hansen there. Greg and Gaylen have been teaming up to get the yourldsneighborhood jukebox going to help provide promotional outlets for indie LDS artists. It was fascinating to talk to the two of them. Greg has been involved heavily in the LDS music industry for a long long time. We talked a lot about trends, like the imminent death of the pearl awards, the future of the LDSBA and its convention, the way the internet is taking a bigger and bigger chunk out of retail… Fascinating stuff.

Early in the afternoon, we set up for the “Songwriters in the Round”. Four of us had been asked to sit up on the stage and take turns playing songs, with just our own acoustic guitars. I was both very honored to be asked to participate, as well and very nervous. I enjoy unplugged gigs, but I don’t do as well at them. I have a struggle remembering the words while I’m trying to play the guitar as well. But I did OK. I got Sam Payne, another participant, to scat along with me on “Thank You”, and Brendon came up to pound out a beat on my guitar case during “Superman”.

Neil Owen, Julie Keyser, and Sam also participated. Julie sang one about when she lost one of her babies after only a few hours of life. That one hit very close to home and got me teared up. It was very well written. Of couse Sam is an incredible writer, and Neil is the consummate bluesman. He does one (I don’t remember the title) based on some New Testament scriptures. Very gospel. Great stuff.

After the Songwriters, we had the open mic. A number of people had sort of stumbled onto us and they got up and performed. I was quite impressed with them, too, but I didn’t remember their names. My two boys got to sing a couple of primary songs, and everybody loved that as well.

As the stage guys and the bands for the evening began setting up, Julie and Steve stepped forward to present the first annual “Green Jello” awards. That first year that we had the fest, there were some in the LDS industry that whispered that our little show would be like a “Roadshow on Steroids”, or that it was all very “green jello”. Some of us got a little miffed, but others said that being “green jello” meant we were music of the people, not of the machine. In honor of that, they created these awards.

I was pleasantly surprised when they announced me as the “lifetime achievement” award. We all kinda chuckled over that one, but there are very few of us in the email group that have been with the group since the beginning, and stayed with it. I guess that’s an achievement! Anyways, I was touched. It sure made me feel good. And I got a cool little trophy, too.

In the Early Evening show, there were three ladies that had formed a group called “Musically Inclined”. They played some up-tempo tunes to minus tracks. Great job, and crystal clear harmonies.

Lindy Kerby did some tunes that I think were off her new CD. I love her voice. She did the solo at the end of “How Beautiful”

I did two tunes, too. I had planned on doing three, but my tracks CD had gotten scratched, and so that last tune kept skipping.

The evening show started with Jen Handy and her group. She’s got a killer voice, and her sound is a very strong Contemporary Christian vibe. Did I mention her voice is amazing?

Then, we got to hear more of Neil Owen, this time accompanied on the Dobro by Ryan Tilby and a bit of harmonica from Sam Payne. What a show.

Then, Sam took the stage. I always love watching him perform. I don’t think I’ve ever seen him more animated on stage than this time, though. They started with their version of “Route 66” and he was all over it. It’s fun to watch him dance, too. He’s the ultimate hick jazzman! Great set.

Finally, Alex Boye. Another consummate showman. But with a lot of heart and testimony. And another killer voice.

Overall Impressions

I’ve had a rather tough time these last two-three years trying to figure out what my place is in the LDS music world. And, it all sort of came together for me this weekend. I got a lot of encouragement from speaking with Gaylen, Greg, Alex, and Sam, and to suddenly be recognized so much by the group made me feel like I actually have a place in it.

I’m starting to see that my focus of writing, recording, and releasing mp3 singles is a great model for me to follow in promoting my site and my music. I’m not in a position where I can do a lot of touring or performing. Pressing thousands of CD’s is also beyond my limits. But I can put together some kickin’ tunes and share them on the ‘net.

I’m very excited about the ones I’ve been working on lately, as well. I’m collaborating with Arhythmatik on a rock/rap crossover tune, I’ve got some rockers and ballads both coming along, including one I wrote a few years back for my anniversary.

Come along for the ride with me!

MRKH
Mark Hansen
http://markhansenmusic.com

Monday, March 05, 2007

The Songs of Zion

Scrapbook

Maurice

When I first got this one, my first reaction was, “Hmmm… A rapper that scrapbooks…?”

I started spinning it in lots of different circumstances. When I was cleaning up the house, when I was driving to work, etc... I found it growing on me. Each of the tunes is well-produced, and well-rapped. The timings are tight, and the rhymes and lyrics are solid. I could feel it. Not too preachy, not too angry, just enough of each to reach me.

I like “The Revolution” and “To My Buddy” the best, I think. “Buddy” is a nice romantic slow jam that provides some good variety to the CD. I also liked where he put the Beethoven in the track behind “Blackout”.

Some good, solid tunes.

My only complaint is that there is a bit of “sameness” throughout. I, personally, could stand to hear a bit more variety, making each tune stand out a little more. Of course, as I listen to many mainstream and big-time CD’s these days, I might be out of touch with what’s selling, as there’s a real tendency to package music in “similar boxes”.

And another thing!

I’ve noticed of late that there seems to be more happening in the world of LDS rap than LDS rock, both in terms of recordings and live performances. I’m a little jealous! So, if I’m missing something, someone let me know!

Want to hear Maurice? You can listen to samples or buy the CD!


MRKH
Mark Hansen
http://markhansenmusic.com

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